Wednesday, 30 September 2009

Michel Gondry

Looking at 3 different music video's from free different artists, all directed by Michel Gondry, there appears to be a constant theme of playfulness and child-like quirkiness, demonstrated mainly through the use of props such as toy trains, lego, and board games, and settings that look almost fairy-tale like. The 3 videos i looked at all re-enact a child's game, and are totally authentic in doing this, with the way in which the people act, the bright primary colours used, the props and settings, and the narratives of the videos. There is also a link with the types of shots used in each video. The camera gets very close and personal with the actors, sometimes at quite awkward and unflattering angles, and often looks like it's almost invading the actor's personal space. This is particularly evident in Radiohead's video, Knives Out. Lastly, Michel Gondry seems to favour the idea of having a surreal concept in a realistic setting, combining fantasy with realism in an original way, making his video's significantly different to others, and adding an interesting signature to his collection of work.

The White Stripes - Fell In Love With A Girl



Sheryl Crow - A Change Would Do You Good



Knives Out - Radiohead
http://www.youtube.com/watch?v=2Lpw3yMCWro

Monday, 28 September 2009

Pitch

Monday, 21 September 2009

Chosen Track: The Thrills - Saturday Night.

After brainstorming some idea's on each track, we decided our best ideas were for Saturday Night by The Thrills. Here's what we came up with...

- An animation based music video, taking a narrative approach to portraying the lyrics.
- Using iStopmotion to make our video, and using mixed media such as childish drawings, magazine cuttings and photo's taken by ourselves then possibly modified on Photoshop, to build up the visuals of our video.
- The lyrics discuss three topics, Love, Hate and Sex. We thought about depicting different interpretations of these emotions that show them in different lights and demonstrate the many ways people perceive them.

Track choices & Initial ideas.

After listening to each of the tracks, we quickly narrowed it down to three favourites. These were Supergrass - La Song (no.9), The Thrills - Saturday Night (no.10) and Garbage - Till The Day I Die (no. 11). We then made notes on our visions for potential music video's to these three songs and compared ideas.

Supergrass - La Song:
- Performance based.
- Abstract interpretation of lyrics.
- Michel Gandry inspired.
- A chorus of people to be used in the chorus of the song.

The Thrills - Saturday Night:
- Animation based.
- Someone walking down the street with different events happening around him.
- The use of iStopmotion.

Garbage - Till The Day I Die:
- Narrative style.
- A sense of repetition, as demonstrated by the lyrics of the song.
- Fast-paced, lots of effects, fast cuts.

Thursday, 17 September 2009

Just Jack Album Cover Analysis



  • Artists face is the main part of the album cover which introduces you to him "Just Jack". It shows that it is his album and its personal to him.
  • The darkness of cover reflects the emotions and seriousness of his songs.
  • There is only him, he is a single artist. (Just Jack)
  • The back of the cover is the back of his head possibly showing his music is his main train of thought.
  • The name of his album is "All Night Cinema" this could be that his has a variety of songs.
  • The black and white photo is seen as more sophisticated and stylish, drawing us to his face.
  • The direct camera address in an attempt to make a connection to the consumer.

Goodwin's analysis of The Cure - The end of the world

The Cure is an English rock band that has a different approach to creating music video's than other bands of the same genre. Most rock bands, in particular contemporary ones, adopt a performance based style, showing the band members playing their instruments and basically rocking out, however The Cure creates more abstract video's, some that are slightly narrative and some that show hints of surrealism. The costume and image on the other hand, are kept in tone with the rock style. Lead singer Robert Smith has a trademark look that he portrays in each of The Cure's music video's which is normally black clothes, smudged red lipstick, tangled black hair and a deathly pale complexion. This has become a fundamental aspect of The Cure's image and demonstrates that the band is part of the gothic rock sub-genre, even more obvious when paired with the depressing lyrics in their songs.

The Cure depicts an amplified relationship between lyrics and visuals. For example, in the video 'The End Of The World', with the use of istopmotion the setting that the lead is in is falling down around him, sugar bowls are falling over, flowers are wilting and wallpaper is being teared down by itself, all symbolising the end of the world. This shows an exaggerated response to the song's lyrics, a trademark aspect of The Cure's music.

The video uses mostly mid-shots to focus on the self-destruction of the house. Many close-up's are also used to turn the attention to the lead singer, pinpointing his gothic style, exaggerated movements and pained expressions, making a particular motif of the band, the theme of anguish and despair.

There is a great sense of voyeurism, mainly shown through the way in which the lead singer addresses the camera. The close proximity of the camera to the artist gives the audience a voyeuristic view, making the audience feel as if their invading the artist's personal space.




 
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